Once, I was browsing the museum when I came upon a grotesque that was Otto Dix. I remember I was instantly drawn to his paintings. I stood in front of them and studied the biting realities which were skilfully and boldly etched on the canvas or sketched on paper.
His works are quite sinister I must say. Through his experience of fighting on various fronts during World War I, his paintings depict the brutality and the horrors of the war. Though his work on portraits of family, friends or strangers is not as ghastly as his post-war paintings, they all possess a certain ugly quality in them. Dix accentuates the weakness and the worst traits of his subjects, with no attempts to hide any flaws. For example, a pair of harsh-looking old lovers, old prositutes crouch in unnatural positions, a joyless mother holding her new-born baby, or the unsmiling children at play. Whether it is to depict the decadency in the post-war Weimar society, or to document the cruelty and sadness of the war, or to present the state of his sitters were in, his paintings are shocking and yet strangely alluring at the same time.
During World War II, he was forced to conform to Nazi's rule and started painting landscapes to earn a living. Even these supposedly innocent landscapes are dotted with black flying crows or dark hanging clouds, illustrating the bleakness and grim due to the world war.
His finest work would have to be the triptych titled Großstadt (Metropolis) which depicts the contradictions of the post-war German society: the decadency along side poverty, returning soldiers who are mentally or physically scarred with prostitutes littering the streets. The central panel shows the famous German 'Golden Twenties' where the rich (ironically, his wife, friends and acquaintances) who can afford to dance all night while the side panels offer the contrasting realities on the same night: a grim parade of the mutilated, the legless soldiers who are stumbling about on crutches in the poor end of town and of prostitutes grotesquely strutting past elaborate marble facades in the richer part of the city. Dix featured himself as one of the cripples.
Before he painted Großstadt in colour, he did a sketch of it with charcoal and pencil on paper. The black and white sketch is just as stark and blatantly shocking as the coloured painting.
His other masterpiece Der Krieg (The War) is one of the most powerful documents of man’s inhumanity to man. It consists of 51 prints. With a nightmarish and hallucinatory quality, he denounced the heinousness of the destruction in place of glorifying heroism.
In Triptych of the War the devastating remains after a shelling is presented: human cadavers are everywhere with flesh and blood strewn all over. A masked figure stands in the foreground contemplating the devastating human waste. Above him is a dead soldier with severe burns which left him half flesh and half skeleton.
His works are no doubt disturbing. But instead of repelling, they are intriguing and hold me spellbound. I can't get enough of them.
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